Difference between revisions of "Bleeding Edge cover analysis"
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| − | [[File:BE-Final-Cover.jpg|350px|thumb|''Bleeding Edge''<br />'''Cover design:''' Evan Gaffney<br />'''Jacket Image:''' Luis Martinez/LuisMMolina//Getty Images<br />'''Publication date:''' Sep 17, 2013|right]]The dust jacket for the first | + | [[File:BE-Final-Cover.jpg|350px|thumb|''Bleeding Edge''<br />'''Cover design:''' Evan Gaffney<br />'''Jacket Image:''' Luis Martinez/LuisMMolina//Getty Images<br />'''Publication date:''' Sep 17, 2013|right]]The dust jacket for the first American hardcover edition, although technically in grayscale, has a shiny finish that reflects light in shifting colors depending on the angle from which it's viewed. There's likely a name for this effect, but I don't know it! The effect (absent from the British first edition, published by Jonathan Cape) would seem to be consonant with the title of the novel which speaks of technology that is still so blazingly new that it is hard to pin down and shimmers just beyond the reach of ordinary people. |
| − | The image of the server farm, which is on both the front and back covers, evokes two | + | The image of the server farm, which is on both the front and back covers, evokes two big themes in ''Bleeding Edge'' — the Internet and the World Trade Center twin towers. |
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Also, with its receding vanishing point perspective, the front and back cover image brings to mind the dust jacket design on the first American edition of [http://v.pynchonwiki.com/wiki/index.php?title=V. ''V.''] (1963). | Also, with its receding vanishing point perspective, the front and back cover image brings to mind the dust jacket design on the first American edition of [http://v.pynchonwiki.com/wiki/index.php?title=V. ''V.''] (1963). | ||
| − | Furthermore, the cover image seems to resonate with this famous passage from the closing pages of ''The Crying of Lot 49'', where | + | Furthermore, the cover image seems to resonate with this famous passage from the closing pages of ''The Crying of Lot 49'', where Pynchon's first female sleuth, Oedipa Maas, imagines herself inside a great computer: |
| − | "For it was now like walking among matrices of a great digital computer, the zeroes and ones twinned above, hanging like balanced mobiles right and left ahead, thick, maybe endless" (p. 181) | + | :"For it was now like walking among matrices of a great digital computer, the zeroes and ones twinned above, hanging like balanced mobiles right and left ahead, thick, maybe endless" (p. 181) |
Latest revision as of 09:26, 5 August 2014
The dust jacket for the first American hardcover edition, although technically in grayscale, has a shiny finish that reflects light in shifting colors depending on the angle from which it's viewed. There's likely a name for this effect, but I don't know it! The effect (absent from the British first edition, published by Jonathan Cape) would seem to be consonant with the title of the novel which speaks of technology that is still so blazingly new that it is hard to pin down and shimmers just beyond the reach of ordinary people.
The image of the server farm, which is on both the front and back covers, evokes two big themes in Bleeding Edge — the Internet and the World Trade Center twin towers.
Also, with its receding vanishing point perspective, the front and back cover image brings to mind the dust jacket design on the first American edition of V. (1963).
Furthermore, the cover image seems to resonate with this famous passage from the closing pages of The Crying of Lot 49, where Pynchon's first female sleuth, Oedipa Maas, imagines herself inside a great computer:
- "For it was now like walking among matrices of a great digital computer, the zeroes and ones twinned above, hanging like balanced mobiles right and left ahead, thick, maybe endless" (p. 181)
