Difference between revisions of "Bleeding Edge Reviews"

Revision as of 14:08, 12 September 2013

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The Complete Review

The New York Times: Reviewing Thomas Pynchon...

Reviews

Please add any relevant reviews as they come in. Blog reviews are fine as long as they're substantial and more than a few paragraphs.

09/11/13 The New Republic - Adam Kirsch: "The best thing that can be said about Bleeding Edge is that Pynchon seems to recognize the unseriousness of his own mystery-making, and so doesn't insist on taking the novel's paranoia too seriously. All those comic names, all those puns and references, keep the tone playful and the pace quick. However odd it may seem, this is a September 11 novel that is light reading—a genre parody, genial and rambunctious. Its very portentousness is a kind of game, and so it remains safe, like Maxine Tarnow, even as it wanders down the darkest of alleys." Entire review »

09/11/13 Washington Post - Michael Dirda: "Full of verbal sass and pizzazz, as well as conspiracies within conspiracies, “Bleeding Edge” is totally gonzo, totally wonderful. It really is good to have Thomas Pynchon around, doing what he does best." Entire review »

09/09/13 - New York Times - Michiko Kakutani: "The result, disappointingly, is a scattershot work that is, by turns, entertaining and wearisome, energetic and hokey, delightfully evocative and cheaply sensational; dead-on in its conjuring of zeitgeist-y atmospherics, but often slow-footed and ham-handed in its orchestration of social details." Entire review »

09/09/12 - Wired - Jason Tanz: "Thomas Pynchon Returns as a Prophet of the Post-Snowden Era". Entire review »

09/08/13 - Phily.com - Andrew Ervin: "Line by line, sentence by sentence, paragraph by paragraph, Bleeding Edge reveals the workings of an uncommonly humane thinker and uniquely American voice working at the peak of his talents." Entire review »

09/06/13 - Slate - Troy Patterson: "His view of the tech world is captivating. Though he doesn’t attempt any grand-scale Balzacian social analysis of Silicon Alley, he gives the full Fitzgerald swoon to passages describing the ritual sacrifice of innocence on the altar of IPO ambition..." Entire review »

09/05/13 - The Paris Review - Gary Lippman: "More than any other recurring Pynchonian concept, paranoia receives nuanced treatment in the novelist’s work. A tendency toward the “p” word would seem to color his personal life as well: although he reputedly lives in plain sight on New York’s Upper West Side, he keeps his private life more private than that of any other major American artist. And, after being a stone Pynchonophile for nearly thirty years, I’ve finally started feeling a bit paranoid myself. It’s not the dot-com “hashslingrz,” Pynchon’s latest fictional conspiracy, that’s freaking me out, but the author himself." Entire review »

09/03/13 - Berfrois - Albert Rolls. Originally published in Orbit: Writing Around Pynchon: "The lightness, like that of Pynchon’s other short novels, is deceptive. Bleeding Edge is not simply the tale of Maxine’s investigation but an examination of the cultural direction America is headed in..." Entire review »

08/19/13 - Publishers Weekly - David Kipen: "Published 50 years ago by long-gone J.B. Lippincott & Co., Thomas Pynchon's V. wasn't just the best first novel ever, it was a blueprint for his entire career. Much as that book yoyo-ed between an international femme fatale and a feckless contemporary klutz, the Pynchon shelf has alternated between globe-trotting, century-spanning bricks like Gravity's Rainbow (1973), and impish, only slightly historical, California-set bagatelles like Inherent Vice (2009). Now comes Bleeding Edge, a lovably scruffy comedy of remarriage, half-hidden behind the lopsided Groucho mask of Pynchon's second straight private-eye story. Like Ornette Coleman's riff on The Rite of Spring, it starts out strong, misplaces the melody amid some delightfully surreal noodling, and finally swans away in sweet, lingering diminuendo." Entire review »

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