Difference between revisions of "Chapter 36"
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+ | '''Twelfth Night'''<br> | ||
+ | ''Twelfth Night''; or, ''What You Will'' is a comedy by William Shakespeare, believed to have been written around 1601–02 as a Twelfth Night's entertainment for the close of the Christmas season. The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello. From [http://en.wikipedia.org/wiki/12th_night WIKI]. | ||
==Page 396== | ==Page 396== |
Revision as of 22:42, 16 January 2014
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Contents
Page 395
Twelfth Night
Twelfth Night; or, What You Will is a comedy by William Shakespeare, believed to have been written around 1601–02 as a Twelfth Night's entertainment for the close of the Christmas season. The play expanded on the musical interludes and riotous disorder expected of the occasion, with plot elements drawn from the short story "Of Apollonius and Silla" by Barnabe Rich, based on a story by Matteo Bandello. From WIKI.
Page 396
shoulder surfers
In computer security, shoulder surfing refers to using direct observation techniques, such as looking over someone's shoulder, to get information. It is commonly used to obtain passwords, PINs, security codes, and similar data. Wikipedia
Page 397
in loco Santaclausis
A play on the Latin phrase "in loco parentis," which means "in the place of a parent" and refers to the legal responsibility of an organization (e.g., a university) to take on some of the functions and responsibilities of a parent.
Page 398
friends who warbike around town
Warbiking is, in Internet vernacular, searching for unsecured wireless networks by bicycle. [1]
Page 401
Daytona [...] suspends here comical-Negro shtick for a minute
So is Daytona black or not? Up to this point, it seemed she was, but perhaps not? More of that Pynchon ambiguity...
All About Eve and shit
The 1950 film is about a successful actress and her young fan Eve Harrington, who insinuates herself into the older actress's life.
Page 402
Out there somewhere in that nomad's field of indifference, riding the Chinese bus into a futurity of imprecise schedules and reduced options
This is reminiscent of the fate of Tyrone Slothrop, in Gravity's Rainbow, pages 738-742 (original Viking editions), where he is "scattered" and eventually sort of disappears from the action, dissolves.
Windust's fate echoes Slothrop's:
He's silent, wherever he is. One more American sheep the shepherds have temporarily lost track of, somewhere in the high country of this ruinous hour, cragfast in the storm.
Page 405
a pair of fishhooks
"Fishhook" is gambling lingo for a Jack of any suit.
Page 406
a music track heavy on the hijaz scale
The hijaz scale aka the Phrygian Dominant, Hijaz-Nahawand, Fraigish is distinguished by the augmented interval between the 2nd and 3rd degrees of the scale, which is commonly heard in Jewish, Greek, Turkish, Arab, Persian, and Flamenco music. The scale is: D Eb F# G A Bb C. Wikipedia
Page 407
his careless gift of boy's cruelty
A "careless" gift is a meaningless gift given with little thought. It's Windust giving the Montauk Project his gift of "boy's cruelty" which was nurtured and developed. See page 339 Windust would be "a preadolescent boy [...] abducted circa 1960" by the Montauk Project, as described on page 243.
Chapter 1 pp. 1-7 |
Chapter 2 pp. 8-19 |
Chapter 3 pp. 20-29 |
Chapter 4 pp. 30-40 |
Chapter 5 pp. 41-52 |
Chapter 6 pp. 53-67 |
Chapter 7 pp. 68-79 |
Chapter 8 pp. 80-86 |
Chapter 9 pp. 87-95 |
Chapter 10 pp. 96-111 |
Chapter 11 pp. 112-120 |
Chapter 12 pp. 121-133 |
Chapter 13 pp. 134-144 |
Chapter 14 pp. 145-159 |
Chapter 15 pp. 160-171 |
Chapter 16 pp. 172-184 |
Chapter 17 pp. 185-197 |
Chapter 18 pp. 198-210 |
Chapter 19 pp. 211-218 |
Chapter 20 pp. 219-229 |
Chapter 21 pp. 230-238 |
Chapter 22 pp. 239-246 |
Chapter 23 pp. 247-255 |
Chapter 24 pp. 256-264 |
Chapter 25 pp. 265-273 |
Chapter 26 pp. 274-287 |
Chapter 27 pp. 288-300 |
Chapter 28 pp. 301-313 |
Chapter 29 pp. 314-326 |
Chapter 30 pp. 327-337 |
Chapter 31 pp. 338-346 |
Chapter 32 pp. 347-353 |
Chapter 33 pp. 354-364 |
Chapter 34 pp. 365-382 |
Chapter 35 pp. 383-394 |
Chapter 36 pp. 395-407 |
Chapter 37 pp. 408-422 |
Chapter 38 pp. 423-438 |
Chapter 39 pp. 439-447 |
Chapter 40 pp. 448-462 |
Chapter 41 pp. 463-477 |