Difference between revisions of "Chapter 30"
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'''appoggiaturas'''<br> | '''appoggiaturas'''<br> | ||
An appoggiatura is an embellishing note or tone preceding an essential melodic note or tone and usually written as a note of smaller size. It often creates a brief dissonance prior to its resolution to the melody's key. [http://www.merriam-webster.com/dictionary/appoggiatura] | An appoggiatura is an embellishing note or tone preceding an essential melodic note or tone and usually written as a note of smaller size. It often creates a brief dissonance prior to its resolution to the melody's key. [http://www.merriam-webster.com/dictionary/appoggiatura] | ||
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| + | '''drop the hook'''<br> | ||
| + | Drop anchor. | ||
'''The Port of Authority'''<br /> | '''The Port of Authority'''<br /> | ||
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'''Hidden track'''<br> | '''Hidden track'''<br> | ||
Another roll-over from the 90s. Sort of the DVD equivalent of the dark web. | Another roll-over from the 90s. Sort of the DVD equivalent of the dark web. | ||
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| + | ==Page 331== | ||
| + | '''even larger question about to lift its trunk''' <br/> | ||
| + | ie the elephant in the room | ||
==Page 332== | ==Page 332== | ||
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'''her backpack ... does seem to run to Himalayan-expedition scale'''<br /> | '''her backpack ... does seem to run to Himalayan-expedition scale'''<br /> | ||
Pynchon also uses this trope of containers larger on the inside than the outside suggests in [http://masondixon.pynchonwiki.com/wiki/index.php?title=Chapter_35:_349-361#Page_354 ''Mason & Dixon'' at page 354] | Pynchon also uses this trope of containers larger on the inside than the outside suggests in [http://masondixon.pynchonwiki.com/wiki/index.php?title=Chapter_35:_349-361#Page_354 ''Mason & Dixon'' at page 354] | ||
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| − | + | '''relo stories'''<br/> | |
| + | relocation stories. See p. 332 | ||
Latest revision as of 17:04, 27 September 2018
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Contents
Page 328
Robert Moses spinning in his grave
See p. 241.
Page 329
appoggiaturas
An appoggiatura is an embellishing note or tone preceding an essential melodic note or tone and usually written as a note of smaller size. It often creates a brief dissonance prior to its resolution to the melody's key. [1]
drop the hook
Drop anchor.
The Port of Authority
Now more commonly know as the Port Authority, The Port of New York Authority was established in 1921.
- "ARTICLE III There is hereby created "The Port of New York Authority" (for brevity hereinafter referred to as the "Port Authority"), which shall be a body corporate and politic, having the powers and jurisdiction hereinafter enumerated..." [2]
Pynchon's usage is old school.
Page 330
Za shastye
For happiness, good luck, fortune, etc.
Pizdets
Fuck.
Hidden track
Another roll-over from the 90s. Sort of the DVD equivalent of the dark web.
Page 331
even larger question about to lift its trunk
ie the elephant in the room
Page 332
her backpack ... does seem to run to Himalayan-expedition scale
Pynchon also uses this trope of containers larger on the inside than the outside suggests in Mason & Dixon at page 354
Music track? Frank Sinatra..."Time After Time," beginning the phrase "in the evening when the day is through,".
Indeed, a most poignant lounge music song. Hear Sinatra sing it. The lyrics in question come around early, at the 0:41 mark.
Page 333
Sarcófago
A heavy metal band from Brazil.
Burzum and Mayhem
Both real bands.
among widely reported Ambien hallucinations being numbers of small people busy running around doing a variety of household tasks
These little people are recapped on page 346. Psychobotanist Terrence McKenna postulated the existence of "machine elves" seen while under the influence of DMT:
- Terence McKenna advocated the exploration of altered states of mind via the ingestion of naturally occurring psychedelic substances. For example, and in particular, as facilitated by the ingestion of high doses of psychedelic mushrooms, and DMT, which he believed was the apotheosis of the psychedelic experience. He spoke of meeting entities he described as "jeweled, self-dribbling basketballs" or "self-transforming machine elves" which one can encounter in those states. [3]
Page 335
no more fictional reading assignments
Reminds me of Uncle Ives in Mason & Dixon who thinks fiction is immoral: "I cannot I say, energetically enough insist upon the danger of reading these storybooks,— in particular those known as 'Novel.' . . . these irresponsible narratives, that will not distinguish between fact and fancy" (350-51).
relo stories
relocation stories. See p. 332
| Chapter 1 pp. 1-7 |
Chapter 2 pp. 8-19 |
Chapter 3 pp. 20-29 |
Chapter 4 pp. 30-40 |
Chapter 5 pp. 41-52 |
| Chapter 6 pp. 53-67 |
Chapter 7 pp. 68-79 |
Chapter 8 pp. 80-86 |
Chapter 9 pp. 87-95 |
Chapter 10 pp. 96-111 |
| Chapter 11 pp. 112-120 |
Chapter 12 pp. 121-133 |
Chapter 13 pp. 134-144 |
Chapter 14 pp. 145-159 |
Chapter 15 pp. 160-171 |
| Chapter 16 pp. 172-184 |
Chapter 17 pp. 185-197 |
Chapter 18 pp. 198-210 |
Chapter 19 pp. 211-218 |
Chapter 20 pp. 219-229 |
| Chapter 21 pp. 230-238 |
Chapter 22 pp. 239-246 |
Chapter 23 pp. 247-255 |
Chapter 24 pp. 256-264 |
Chapter 25 pp. 265-273 |
| Chapter 26 pp. 274-287 |
Chapter 27 pp. 288-300 |
Chapter 28 pp. 301-313 |
Chapter 29 pp. 314-326 |
Chapter 30 pp. 327-337 |
| Chapter 31 pp. 338-346 |
Chapter 32 pp. 347-353 |
Chapter 33 pp. 354-364 |
Chapter 34 pp. 365-382 |
Chapter 35 pp. 383-394 |
| Chapter 36 pp. 395-407 |
Chapter 37 pp. 408-422 |
Chapter 38 pp. 423-438 |
Chapter 39 pp. 439-447 |
Chapter 40 pp. 448-462 |
| Chapter 41 pp. 463-477 |
