Difference between revisions of "Chapter 22"

Revision as of 11:55, 21 September 2013

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Ride the Wild Surf
A 1964 beach party/surfing movie and a song by Jan & Dean. A play on "surfing the web."

summer will end all too soon
The Endless Summer was a famous 1966 surfing movie, continuing the surfing theme from a couple of lines earlier

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Scope wizards
In the late 1950s, only the military was flying supersonic jet aircraft like the all-weather capable F102A Delta Dagger or "One-O-Wonderful" F101B Voodoo. Nicknames were usually applied to the air and ground crews, using the "Voodoo" theme: "One-Oh-Wonder" for the pilots, "Scope Wizard" for the Radar Intercept Officers (RIOs, later called Weapon System Officers/WSOs or "Whizzos), and "Witch Doctors" for the maintenance guys. They were a formidable sight, whether taxiing past the alert hangars or taking off in formation.

bird colonel
A full colonel in the US Army.

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MKUltra-type programs
Project MKUltra is the code name of a U.S. government covert human research operation experimenting in the behavioral engineering of humans (mind control) through the CIA's Scientific Intelligence Division. The program began in the early 1950s, was officially sanctioned in 1953, was reduced in scope in 1964, further curtailed in 1967 and officially halted in 1973. The program engaged in many illegal activities; in particular it used unwitting U.S. and Canadian citizens as its test subjects, which led to controversy regarding its legitimacy. MKUltra involved the use of many methodologies to manipulate people's mental states and alter brain functions, including the surreptitious administration of drugs (especially LSD) and other chemicals, hypnosis, sensory deprivation, isolation, verbal and sexual abuse, as well as various forms of torture. Wikipedia entry

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Law of the Father
An important idea in the work of Jacques Lacan, which is relevant since Leopold is a Lacanian shrink.
In 1897 Freud remarked, on the basis of his analysis of his first patients and his self-analysis, that "The father forbids the child from realizing its unconscious wish to sleep with his mother" (letter to Fliess, October 15, 1897). This first outline of the Oedipus complex, which now appears simplistic, grew increasingly complex throughout Freud's research. In time the Law of the Father turned out to be directed both toward the mother ("You will not reintegrate your product") as well as her offspring swept up by desire. The law is also accompanied by an injunction against cannibalism and murder, and hold up ideals, primarily sexual ones ("Later you will enjoy, like me, a woman from another family"). Once introjected, this becomes the origin of the superego and ego ideal. The repression of drives, their suppression and sublimation, are the principal outcomes of the conflict that connects them structurally to this law. [1]

Bear in mind, though, that the quoted material above applies to Freud's early biology-based thinking. Taking cues from Freud's later cultural/anthropological interests, Lacan maps Oedipus and ego development onto the structures of language ("The Unconscious is structured like [a] language.") and more or less replaces Freud's Id-Ego-Superego mechanics with his own Real-Imaginary-Symbolic orders as his go-to hermeneutic machine.

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"What, excuse me, gives you authority here? What happens in your practice, when you want to save somebody but lose them instead?"
Maxine is a Jewish Mother with an it's-complicated relationship with the Law, whether civil, financial or Lacanian. Is Pynchon giving us a version of Freud/Lacan from the Mother's point of view (who no one ever asks about all this desire and desired object michegas)? Is she condemned to Windust's attentions because she is the Mother? Is she condemned to reading Windust as an abducted little boy who's been shocked and awed into usefulness as an IMF thug? Is she any different in this regard than Frenesi Gates or Oedipa Maas? Is she really Naomi Klein? Stay tuned.