Chapter 11
How to Format Entries
Quoted Text
Explanation or analysis of Quoted Text
- Individual opinions or discussion. Sign by writing "~~~", if you like.
To add a page: Type ==Page xx==
Please add entries for each page in the order they appear on the page.
Page 112
Billie's Bounce
A bebop classic written by Charlie Parker. Here you go.
who liked to creep
How often has this word appeared already? It's starting to seem important.
Page 114
Sterling Hayden
Sterling Walter Hayden (born Sterling Relyea Walter; March 26, 1916 – May 23, 1986) was an American actor and author. For most of his career as a leading man, he specialized in westerns and film noir, such as Johnny Guitar, The Asphalt Jungle and The Killing. Later on he became noted as a character actor for such roles as Gen. Jack D. Ripper in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964). He also played the Irish-American policeman, Captain McCluskey, in Francis Ford Coppola's The Godfather in 1972, and the novelist Roger Wade in 1973's The Long Goodbye. He played the role of Leo Dalcò in Bernardo Bertolucci's 1900 in 1976. At six feet five inches, he was taller than most actors. From WIKI.
Page 115
CFE
Certified Fraud Examiner
Page 116
Newspaper of Record
New York Times
"a deep sympathy modified by contempt"
In her Notes on "Camp" (1964), Sontag writes "To name a sensibility, to draw its contours and to recount its history, requires a deep sympathy modified by revulsion." Notes on "Camp"
A sensibility (as distinct from an idea) is one of the hardest things to talk about; but there are special reasons why Camp, in particular, has never been discussed. It is not a natural mode of sensibility, if there be any such. Indeed the essence of Camp is its love of the unnatural: of artifice and exaggeration. And Camp is esoteric -- something of a private code, a badge of identity even, among small urban cliques. Apart from a lazy two-page sketch in Christopher Isherwood's novel The World in the Evening (1954), it has hardly broken into print. To talk about Camp is therefore to betray it. If the betrayal can be defended, it will be for the edification it provides, or the dignity of the conflict it resolves. For myself, I plead the goal of self-edification, and the goad of a sharp conflict in my own sensibility. I am strongly drawn to Camp, and almost as strongly offended by it. That is why I want to talk about it, and why I can. For no one who wholeheartedly shares in a given sensibility can analyze it; he can only, whatever his intention, exhibit it. To name a sensibility, to draw its contours and to recount its history, requires a deep sympathy modified by revulsion.
Page 117
The Montauk Project
The Montauk Project is alleged to have been a series of secret United States government projects conducted at Camp Hero or Montauk Air Force Station on Montauk, Long Island for the purpose of developing psychological warfare techniques and exotic research including time travel. Jacques Vallée describes allegations of the Montauk Project as an outgrowth of stories about the Philadelphia Experiment. From WIKI.
Chapter 1 pp. 1-7 |
Chapter 2 pp. 8-19 |
Chapter 3 pp. 20-29 |
Chapter 4 pp. 30-40 |
Chapter 5 pp. 41-52 |
Chapter 6 pp. 53-67 |
Chapter 7 pp. 68-79 |
Chapter 8 pp. 80-86 |
Chapter 9 pp. 87-95 |
Chapter 10 pp. 96-111 |
Chapter 11 pp. 112-120 |
Chapter 12 pp. 121-133 |
Chapter 13 pp. 134-144 |
Chapter 14 pp. 145-159 |
Chapter 15 pp. 160-171 |
Chapter 16 pp. 172-184 |
Chapter 17 pp. 185-197 |
Chapter 18 pp. 198-210 |
Chapter 19 pp. 211-218 |
Chapter 20 pp. 219-229 |
Chapter 21 pp. 230-238 |
Chapter 22 pp. 239-246 |
Chapter 23 pp. 247-255 |
Chapter 24 pp. 256-264 |
Chapter 25 pp. 265-273 |
Chapter 26 pp. 274-287 |
Chapter 27 pp. 288-300 |
Chapter 28 pp. 301-313 |
Chapter 29 pp. 314-326 |
Chapter 30 pp. 327-337 |
Chapter 31 pp. 338-346 |
Chapter 32 pp. 347-353 |
Chapter 33 pp. 354-364 |
Chapter 34 pp. 365-382 |
Chapter 35 pp. 383-394 |
Chapter 36 pp. 395-407 |
Chapter 37 pp. 408-422 |
Chapter 38 pp. 423-438 |
Chapter 39 pp. 439-447 |
Chapter 40 pp. 448-462 |
Chapter 41 pp. 463-477 |