Chapter 26
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Contents
Page 276
a mural-size screen grab from the opening of The Letter (1940) in which Bette Davis is pretending to pump six rounds into...
Image and film info at allmovie. Bette comes out with gun blazing at 1:18 into this clip.
David Newell
Supporting actor turned makeup artist. IMDB makes it appear he spent much of his career being uncredited for his work in films.
Page 277
It's what, legal in Utah for three people to get married?
Despite being illegal, in Utah today, those living in polygamist families number about 40,000 people(about 1.4 percent of the population). Polygamists are difficult to prosecute because many only seek marriage licenses for their first marriage, while the other marriages are secretly conducted in private ceremonies. Thereafter, secondary wives attempt to be seen in public as single women with children.
Page 279
Donna non vidi mai
Tenor aria from Act 1 of Puccini's Manon Lescaut. A love-at-first-sight soliloquy. Pynchon referenced the Act 3 tenor solo in Chapter 3 of V.
Page 280
the high-muzzle-velocity law firm of Hanover, Fisk
Hand over fist.
New Zealand kauri
WIKI tells us kauri forests are some of the oldest in the world, that individual trees often live longer than 600 years, and that they are very large trees with volumes, but not heights, often rivaling sequoias.
Page 281
Skadden, Arps
Real law firm in Washington, DC.
Page 282
Mannlicher-Carcano . . . Jackie and I were dear friends
A Mannlicher-Carcano is a type of rifle. Oswald used one to shoot JFK.
"Jay-Z?" "Well, actually I'm more of a Nas person. As you may know they're in this feud at the moment, that old Queens-versus-Brooklyn thing again, hate to take sides, but---"The World Is Yours," how can anything even compare?
Probably splitting hairs here, but the feud between Jay-Z and Nas didn't become widely known until Jay-Z's "Takeover" was released on his "Blueprint" album, which came out on September 11. Jay-Z did dis some rappers at the Hot 97 Summer Jam 2001 held in late June, but the hardest hit was Nas' friend and Queens resident Prodigy of Mobb Deep, while Nas was only briefly mentioned. You'd probably had to have been close to the inner circles of these rappers to be conversationally aware of the feud which became heated in the months to come. As for "The World is Yours," reference, I agree with the sentiment, and wonder if it was used since Jay-Z sampled it on "Dead Presidents II" from his 1996 debut album. Anyone else have thoughts on this? H2oetry (talk)h2oetry
Page 283
jumping to wrong conclusions/old-movie confusions
Yet another line that gestures toward Hitchcock and his ilk, filmmakers who made movies that resonate with some aspects of Pynchon's fiction.
Page 285
as Larry Talbot into the Wolf Man
Larry Talbot was the main character of the 1941 film The Wolf Man.
Trivia alert. Lon Chaney, Jr. played Larry Talbot in The Wolf Man. Though Chaney, Jr. was in a fair number of monster movies, contrary to what Warren Zevon unintentionally may have caused us to believe, he was never in a film titled "The Werewolves of London." The 1935 film Werewolf of London starred Henry Hull.
Page 286
flaneur
Term for a certain type of character found in literature, especially the works of 19th century France. WIKI tells us "Drawing on Fournel, and on his analysis of the poetry of Baudelaire, Walter Benjamin described the flâneur as the essential figure of the modern urban spectator, an amateur detective and investigator of the city. More than this, his flâneur was a sign of the alienation of the city and of capitalism. For Benjamin, the flâneur met his demise with the triumph of consumer capitalism."
Chapter 1 pp. 1-7 |
Chapter 2 pp. 8-19 |
Chapter 3 pp. 20-29 |
Chapter 4 pp. 30-40 |
Chapter 5 pp. 41-52 |
Chapter 6 pp. 53-67 |
Chapter 7 pp. 68-79 |
Chapter 8 pp. 80-86 |
Chapter 9 pp. 87-95 |
Chapter 10 pp. 96-111 |
Chapter 11 pp. 112-120 |
Chapter 12 pp. 121-133 |
Chapter 13 pp. 134-144 |
Chapter 14 pp. 145-159 |
Chapter 15 pp. 160-171 |
Chapter 16 pp. 172-184 |
Chapter 17 pp. 185-197 |
Chapter 18 pp. 198-210 |
Chapter 19 pp. 211-218 |
Chapter 20 pp. 219-229 |
Chapter 21 pp. 230-238 |
Chapter 22 pp. 239-246 |
Chapter 23 pp. 247-255 |
Chapter 24 pp. 256-264 |
Chapter 25 pp. 265-273 |
Chapter 26 pp. 274-287 |
Chapter 27 pp. 288-300 |
Chapter 28 pp. 301-313 |
Chapter 29 pp. 314-326 |
Chapter 30 pp. 327-337 |
Chapter 31 pp. 338-346 |
Chapter 32 pp. 347-353 |
Chapter 33 pp. 354-364 |
Chapter 34 pp. 365-382 |
Chapter 35 pp. 383-394 |
Chapter 36 pp. 395-407 |
Chapter 37 pp. 408-422 |
Chapter 38 pp. 423-438 |
Chapter 39 pp. 439-447 |
Chapter 40 pp. 448-462 |
Chapter 41 pp. 463-477 |